The poem “Naming of Parts” by Henry Reed presents an
interesting parallel between the parts of a gun and nature. Each paragraph
begins with a rather mundane description of some general component of a gun and
finishes with a more romantic piece of nature that is cleverly related by
multi-dimensional wording. In the second stanza, the concept of a “sling
swivel” traverses from a gun component to a sling for a broken arm (9). Just as
the safety catch is not to be touched with a finger, blossoms do not allow tactile
observing. The word breech in line 20 could denote the gun component, but it
could also refer to a breach in enemy lines through which troops attack as
indicated by the “early bees” “assaulting.” The poem is incredibly enigmatic,
but there seems to be a general drift of the course of a battle throughout the
poem. First, there is preparation through training and learning to use the gun
in the first three stanzas, then it is “easy” to “[ease] the spring” or let the
gun fire, and finally, the last line seems to be a gruesome double denotation
between the naming of gun components parallel to earlier and the surveying of
the battle field for who died. In the first paragraph, the Japonica in the
“neighboring gardens” makes me think of blood still fresh from recent battles
because it is a bright red flower. In the fourth stanza, the phrase “easing the
spring” can refer to releasing a physical spring and to the beginning of the
season of spring. The recurring phrase, “which in our case we have not got”
reflects that the soldiers do not have the necessary parts of their guns, but
there must be some deeper meaning to that. The third stanza refers to the
safety-catch always being released, which suggests that was is not safe. The
repeated transition between the mundane and the ethereal pictures of nature
suggests that while the gruesome consequences of war are carried out, peaceful
enjoyment could be had instead.
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